We all know the rules about composition, and are aware of how bright colors draw the eye. I remember one artist being told by her gallery to “put something red in it” to boost her sales. While this might be a good marketing strategy, few artists follow the dictates of marketing when planning their artwork.
But we do know the rules of composition, and generally, we don’t center our focus. Karen shows she not only understand these rules, and knows how to use them, but also when to ignore them. All three paintings entered into this year’s miniature shows she does understand composition, the use of color and has more than mastered the still life. But to me, and many others visiting the Renaissance Art Gallery, her oil painting “Bathing Sparrow” shows true understanding of just what a miniature is all about. Miniatures should draw you in. Over and over I have seen people lean forward to take in the subtle details of this fine painting. It is almost a monochromatic painting, depending on both the use of value and texture to show us just how the little sparrow looks while bathing. We are drawn into this painting, despite, or even because of the lack of detail anywhere but on the bird. We “see” the story. Experience the quality of wet feathers in a shallow pool.
Both “Golden Roses” and “Cantaloupe & Rose” are fine paintings, but the really outstanding piece in this collection is “Bathing Sparrow”.
